• Fiber 24.04.2019 No Comments

    I’m happy with the three wheels I have. The Pipy will always have sentimental value. The Louet S-10  is versatile and great for plying. The great wheel is amazing and I plan to use it more after the move. But I’d been thinking about getting a better wheel. I’d planned to wait until after the move, but started seeing some good prices locally on used wheels.

    My first thought was an Ashford. They are reliable and no drama. I’ve never owned a saxony style wheel. I checked on a couple, but they sold or I didn’t get a response. I also checked on a Nagy which sold before I could look at it. There was a nice Country Craftsman, well written ad, and I asked if it was still available. The owner was knowledgeable and even sent a short video showing how true the wheel was. I was impressed. Lon took me over to look at it this weekend. I bought it, of course! And the owner showed us her great collection of antique wheels, which was a nice bonus. I am still learning about how to spin on this wheel. It’s a fast wheel, and feels like a production wheel. I did some plying over the weekend and I think I still need to work on that. It has the long flyer, so the bobbins hold 4 ounces. And it’s a very attractive wheel:

     

    I have the Lazy Kate and a total of four bobbins. I am really happy with this wheel. And, this one is designed to break down for shipping. The legs are even numbered, so you can put them in the right place when you put it back together. It was a wonderful birthday present.

  • Fiber, Projects 11.04.2019 No Comments

    Lots of projects going on this week. I am still spinning the Shetland/Mohair blend:

    I am close to finishing the second bobbin and will be able to ply it, at that point. Then I can decide if I want to use it. I am also working on that knitting project, Quaker Yarn Stretcher, and am just about done with it.

    I bought some fiber from Three Waters Farm. I’m very happy with it. I originally bought two colorways, with the idea of doing a double marl yarn. I  bought Spring By Way in Finn:

    And I bought some Iris Patch in Rambouillet:

    Then I saw that there were too many colors in common on the two sets of roving. I am using the Spring By Way for a fractal on spindle project. For the double marl yarn, I bought a new roving. I’ll still use Iris Patch but with Graham Cracker Brown in BFL and Tussah:

    It’s prettier than it looks in this picture. I have two other spinning project sorted out, both using Inglenook fiber. I’ll document those on a second post.

  • Know how you get an idea for a grand project? It’s one of those things that made sense at the time. I picked up a braid of Greenwood Fibers colorway Emily. I started with four ounces of Blue Faced Leicester. Then I  got this idea that I could make a three ply yarn, using the same colorway in three different wools. They had Merino, so I picked up the Merino. I planned to get some Polworth, but they sold out and I never got around to it.

    The BFL went fine. I was using one of my turks. Then I hit the merino. Merino is a project killer for me. I don’t like spinning it. It feels tedious. I don’t like the limpness of the yarn. I knew it was a mistake to buy it, but it fit in the scheme of the grand project! I lost interest. I finally did the last of the merino on my Pipy and plied it today. I kept the fibers separate and I must be missing a skein as I have about 7.15 ounces here. I’m pretty sure that I did spin all of it.

    Now I have to figure out what to do with this. I do like the BFL, not crazy about the merino.

    See this?

    That’s from my polydactyl cat Pete. He customized some of my spinning equipment, like the big Turkish spindle and my niddy noddy. Pete passed away about two years ago, on Christmas day. He had a stroke several months before. I was able to share my prednisone with him.

    Miss you, Petey (the black cat). Slobberpuss (the fold), not so much.

  • It just dawned on me that I’ve never posted my very nice Jenkins Aegean spindles here. (Might have put them on my other site.) Since I’ve actually been spinning with them today, here they are:

    This is my crabapple, 17.9grams, with some Blue Faced Border Leicester:

     

    And this is an Ambrosia Maple, 17.23 grams, with Greenwood Fibers Durango colorway, Targhee:


    Guess which one I’m having more fun with! I didn’t like my first Aegean. There was something about the weight that just didn’t work for me and I sold it. But I like both of these, a lot. They feel like real workhorses. I would still like to get a Swan someday. Every time I go to a fiber festival and go to the Jenkins booth, I plan to buy a Swan. And I come home with something else.

  • Thoughts 01.04.2019 No Comments

    This was triggered by discovering the wonderful Knitting Sarah blog (just added to my blog list). Let me say again how much I like her blog. I think she is doing beautiful work. And I am saying this up front, because I don’t want my thoughts here to be taken as a slam against her. But in one of her tutorials, she says:

    “Most spinners you talk to will say their #1 goal is to spin a yarn that it could be mistaken for mill spun, or at least something that looks like the control involved could not possibly have been executed by human hands.”

    I’m sure this is true of modern spinners. Back in the 70s,when I learned how to spin, we despised this. We did not want to replicate commercial yarns. We wanted yarns that looked like they were created by human hands. And we made all those crazy, irregular yarns that machines couldn’t make (until they started making thick and thin yarns!) What we see today are spinners using the same type roving the mills would use. It’s great stuff, don’t get me wrong. But it disconnects us from the craft. Let me explain.

    Knitters used to create simple yarns and use their skills as knitters to create beautiful things. You can look at ads for yarns back in the 1900s and see that most were basic colors and usually four ply. There were novelty yarns of course. The knitter created the colorwork, from the pattern they chose and the colors they used. Think of Fair Isle. Now, we get the colorwork in the yarn and the patterns we choose need to be simple. You’ll see a few projects at Knitting Sarah where the yarn overwhelmed the pattern and she had to choose a different pattern. Makes life easier for busy knitters. No reason to do something complicated. We are handspinning yarns like the mills turn out.

    Who makes the money under this system? The mills, that process the fiber and spin the yarn. It’s a system that rewards the ranchers that turn out white fleeces, preferably merino these days. Ranchers make their money off the meat, not the fleece. Small farms, raising endangered breeds or colored fleece, rely on spinners to help them keep going. Why bother, if modern spinners are not interested in purchasing a fleece and preparing their own fiber? What happens to the market for fiber prep tools? If you are buying nothing but commercial roving, why would you need a drum carder or cards? (You might want to blend even commercial fibers, but still.)

    There is something to be said for watching a sheep get sheared, buying the fleece and processing it yourself. There is something to be said for having the ability to hand card or comb your on fiber. There is something to be said for being able to create your own beauty, out of simple yarns, using your skill as a knitter. And being able to do these things, makes you a better spinner.

    I don’t want to take anything away from spinners that only use these prepared fibers. I understand that folks have busy lives and may not have the space or time to work from raw fleece. I started thinking about these issues when I was demo’ing at the local fair with a group of spinners. They had us back by the sheep pens. I looked and everyone was spinning commercially prepared fiber. So the next day, I brought my cards and combs and clean fleece. Some of the young folks with sheep came over to demonstrate their carding expertise! It was fun, if a bit hard on my cards. It made the connection between their animals and the yarn we were spinning. That’s important for the continuation of our craft. Be versatile! Go to a fiber festival (it’s important to support those), buy some raw fleece and learn how to wash and process it. Make something beautiful out of natural colored wool. Support local shepherds by buying their wool. Show young people that connection between the wool from the sheep and the yarn. Keep spinning alive by broadening it, not narrowing it down to replicating what the mills make.